Born in 1942 in Yilan, Taiwan, Hilo Chen is a highly influential pioneer of Photorealism on the international art stage. His early education in the Department of Architectural Engineering at Chung Yuan Christian University, followed by his studies under the master Lee Chun-shan, led him to explore abstract painting. This path culminated in him becoming the youngest member of the "Ton-Fan Art Group," Taiwan’s first modern art collective. In 1968, Chen relocated to New York, where the city’s vibrant creative atmosphere prompted his transition from abstraction to hyper-realism. He subsequently established a profound legacy in contemporary art history through his iconic series, including "Beaches," "Bathrooms," and "Flowers."

Often ranked alongside Photorealist master Chuck Close, Chen is celebrated for his exceptional ability to translate the visual language of photography into a heightened sensory experience. His work is characterized by bold compositions and meticulous techniques, utilizing brushes, airbrushes, and photography to capture every detail—from the pores of sun-drenched skin and glistening beads of perspiration to the delicate texture of flower petals. These elements evoke a powerful theatrical tension and a contemplative gaze toward vitality. Alongside Walasse Ting and Dennis Hwang (Hwang Chih-chao), he was known as one of the "Three Musketeers of New York," remaining a prominent figure in the international art world for decades.

His artistic achievements are globally recognized, making him one of the few Chinese artists to have works held in the permanent collection of the Solomon R. Guggenheim Museum in New York. His masterpieces are also prominently featured in the collections of the San Jose Museum of Art, the Newport Art Museum, the Taipei Fine Arts Museum, and the National Taiwan Museum of Fine Arts.